Images via Bing Images
Just when you believe you understand everything, "Mouth open and story jumps out!" Did you enjoy listening to the Big Links Riddim produced by Full Blown Entertainment? I did, and as a matter of fact, I rated "Big Links Riddim" and "Tilden Hall Riddim" as the top riddims for Carnival 2025 early in the season. I recall engaging in a conversation with the Island Vybe DJs, and, along with one other DJ, expressing the fact that we felt "Good Feelings" was our song of choice from the album. Soon after the release of the album, Yung Bredda's "Greatest Bend Over" took off, but I remained steadfast in my belief that lyrically "Good Spirits" was the best written song from the album." I had no idea that an expose would emerge after the carnival, disrupting the conversation. The name of the song implied what it said: positive feelings! But breaking recently, "Talks with KG" explained that we don't really know what the song is really about, and damn, what a revelation!
If KG's explanation is accurate and realistic, then the lyrics of "Good Spirits" are a masterful lyrical takedown, expertly performed and delivered, something most of us never anticipated. What a revelation, ! KG has done well here and created a stir that would have most of us simply saying, Damn! Burning bridges in the business of Soca happens, but I always knew that we should all learn to 'pick our fights.' My advice to Voice, now that this is out on social media, is simply this: 'Don't confirm or deny anything; simply put, no comment."
KG seemed to take pleasure in breaking down the song and the classic diss from Full Blown, exposing Voice as a friend turned disappointment for the Full Blown brothers. He detailed, with video clips of the song, Full Blown's exceptional songwriting skills, showing how they expertly utilized the calypsonians double entendre artform to deliver some gayelle bois strikes with the power of the pen rather than a pouis stick. It was story telling at its best now that we have a better understanding of the true nature of the song. The song cleverly incorporated wordplay and storytelling to document Voice's rise to fame and fortune. This masterclass in song writing is a testament to our Calypso culture and a reminder that Soca and Calypso have always been about more than just music—they're platforms for commentary, rivalry, and cultural expression.
Now that I have a more profound understanding of the song, knowing the true intentions of the songwriters does not distract me from my feelings about it. If KG did not reveal this, I would have walked away thinking that the song was telling me to look inside, be strong, and never let anything or anyone keep me down! Having said that, now that I know what the song is about, I still have positive feelings about both artists. Voice is an excellent singer and performer. Full Blown has been silently writing excellent songs for Machel Montano and so many others. To be honest, I thoroughly enjoy the Full Blown part as much as the Full Blown Entertainment part of this enterprise. I appreciate both teams, and hopefully one day they can put this "beef" to rest.
Now that I have new information to work with, and keeping that in mind, listening to the song tells me I have to pay more attention to a song's lyrics. How would you respond to individuals who claim that Soca music lacks substance and is primarily centered on provocative dancing? I would encourage them to listen more closely and consider the cultural context behind the lyrics. Soca music often embodies vibrant storytelling, celebrating life, love, and community, which may not always align with conventional song structures but definitely carries its own unique sense and rhythm.
After everything, KG may have new friends and grow his online presence, but he may also lose friends. Regardless, we wish everyone success, and as KG would say, "If you didn't know, now you know!"
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Production Notes/Music Credits:
What is the Beef: Full Blown disses Voing in Song
Reported/Explained by: KG Greaves of "Talks with KG"
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫ Please click the music player button below to listen now (a small triangle in the music player/TV frame).
KG explains what you just watched above—there is more to the song than most of us thought.